Colombian cartoonist Freddy Pibaque still not received his prize WPC Sintra 2007

Colombian cartoonist Freddy Pibaque still not received his prize WPC Sintra 2007
From: Nacaro Caricaturas nacaro5@gmail.com
Date: 08 Kasım 2008 Cumartesi 18:40

Dear Colleague Editor of the humor web page:
Please, publish this article in your home page.
Thank you for your solidarity.
Freddy Pibaque (Nacaro).

THE WORLD PRESS CARTOON DO NOT PAY PRIZES AND THREATENS WINNING CARTOONIST.
In 2007 I participated in WORLD PRESS CARTOON contest and I won second prize in the Caricature section. But untill today (end of October 2008) I have not received my montary prize, nor the cartoon catalogue, neither the trophy they promise to the winners. Since April 2007 I sent messages to the director of wpc, Mr. Antonio Antunez, asking him to pay me my money, and nothing. When I denounced it by e-mail to colleagues (including you) Mr AA replied that it had paid. After he used a lawyer to amendrate: wpc's lawyer sent me a message threatening a criminal trial if I continued with my denunce of non-payment. (I attach you copy of the message). In addition, on this message says the lawyer: "The prize money can be withdrawn at the direction of .... wpc in Portugal."
With that message is verified that Mr. Antunez says one thing by e-mail to participants and says a different thing for me using his lawyer. It is also proved that wpc has not paid the prize, but AA says yes by e-mail.
But the case is even worse: nowhere in the regulation said that the winners should make a trip to Portugal to collect their prize. No contest in the world makes this absurd condition. Wpc does not respect its own rules.
It is all right that a organizer of cartoon contest threatens to a winner cartoonist?
.....
Thank you for your attention.
Regards,
Freddy Pibaqué.
PS: Please read the attached message sent by the lawyer of the wpc, also the winner cartoon who never received the prize and a cartoon about wpc.

British archive puts 120,000 cartoons online

British archive puts 120,000 cartoons online
by Alan Gardner
November 6, 2008
British Cartoon archive, based at the University of Kent, has created one of the largest online archives of cartoon art with over 120,000 British political and social cartoons from more than 250 cartoonists going back to the 18th century. The collection also includes present day cartoonists such as Carl Giles, Steve Bell, Ralph Steadman and Martin Rowson.
The BBC reports that the effort took two years to digitize all the cartoons.

Jubilee International Cartoon Contest - Germany

Jubilee International Cartoon Contest - Germany
Dear Mr. or Mrs,
In May 2009 the Federal Organization for Physical and Multiple Handicapped People will celebrate its 50th anniversary in Berlin. In 1959 it has been founded by parents of children with spastics. The group of people with cerebral palsy still forms the biggest part in our association.
We themed our 50th anniversary - also in allusion to one of the main characteristics of this disability - with following slogan:
"It doesn't matter how you move,
what really counts is what you move!"
It would be a great pleasure for us and all the people who get involved in our work, if you could paint a little caricature or what ever you like that adverts to our slogan. We will collect the drawings that we receive and want to publish them in a brochure. We would like to give these brochures to our members and guests on the anniversary celebration. Of course we will sign each drawing with the artist's name.
We would be very happy if you'd be interested in this campaign. - If you want to be part of it, send your drawing to the address stated below till December 15th 2008.
Kind regards.
Norbert Müller-Fehling, Secretary
Anne Ott, Press and publicity
___________________________________________________
Bundesverband für Körper-und Mehrfachbehinderte e.V.
Brehmstr. 5-7, D-40239 Dusseldorf DEUTSCHLAND
anne.ott@bvkm.de www.bvkm.de

Umoristi a Marostica Contest 2009 - Italy

C O N T E S T 2 0 0 9

:: 1969 - 2009 :: 41th edition

UMORISTI A MAROSTICA
REGULATIONS
Contest: open to all cartoonists
Theme: LIES
Sections: A) CARTOONS; B) STRIPS
Entries: max. 3 works. The works must be original, without titles and accompanied by author's entry-form and biography
Size: free
Technique: free
Deadline: January 18, 2009
Prizes: "Scacchiera International Grand Prize" for each section
Opening and prize distribution: April 12, 2009
Exhibition: April 12 - May 25, 2009
Catalogue: each participating artist will receive a copy (by enclosing 7,00 €uro for the postage charges)
Remark: the works will not be returned and will be included in the "Umoristi a Marostica Museum"
The works should be sent to:
UMORISTI A MAROSTICA 36063 MAROSTICA (VI) ITALY
For further informations:
phone/fax: +39-0424-72150
info@umoristiamarostica.it
Source & entry-form:
http://www.fanofunny.com/guests/umoristimarostica/concorso_e.html

Deadline extended in the International Caricature Contest Godofredo Guedes’ Centenary

Brazilcartoon takes responsibility for the prizes of the Contest and extends the deadline
The portal Brazilcartoon supported the Godofredo Guedes’ Centennial International Fair of Cartoon / Brazil with the creation of graphic pieces for disclosure, but unfortunately the Municipal Secretary of Culture of Montes Claros of the current administration (2004-2008) did not fulfill the agreement of paying the valuo of the prizes. Due to the large number of works we have received and the importance of the event, the Brazilcartoon will realize the fair independent of the support from the Secretary of Culture. The deadline will be extended until August 01 of 2009, date of Godofredo’s birthday. So if you have not participated yet, now it’s a good opportunity to honor this great Brazilian artist.
International Caricature Contest Godofredo Guedes’ Centenary
Godofrendo, Godô, as he was kindly named, was born on August 15 in the city Riacho de Santana, Bahia, in 1908. In 1953 he moved to Montes Claros / MG. He began to dominate the brush before he was 15, in 1923. His first work was “Nosso Senhor Bom Jesus da Lapa”, made by oil. As the years went by he became a reference in painting portraits and beautiful landscapes, North of Minas’ hinterlands scenes.
Godofredo was also an influence to the beginning of advertising in Montes Claros, producing painted signs to local commerce. In music he had a most important role in compositions that are nationally known such as “CANTAR” which have already been recorded by Milton Nascimento and Paula Toler, as well as his own son, the singer and composer Beto Guedes.Godofredo went beyond the mounts, in Minas’ capital, where he collaborated in the creation of the art market in Belo Horizonte, in Liberdade Square.
The immortal Godofredo has always had painting and music in his blood, and contributed immensely with the cultural formation of Montes Claros. He left a valuable inheritance of compositions and paintings, and also created an instrument, pentacorde, that have and particular sound.
The City Montes Claros, Brazilcartoon’s home, opens the celebrations of Godofredo Guedes’ centenary with several festivities, in order to retribute to the great cultural collaboration of this talented artist: Godofredo Guedes.Montes Claros is located in the north portion of Minas Gerais. It is an important academic pole and the cultural crib that has already projected great artists in national and international scene such as the writer Darcy Ribeiro, the illustrator and cartoonist Marcelo Lélis, the singer and composer Beto Guedes, one of the integrants of MPB movement, Clube da Esquina; Konstantin Christoff, humor painter known internationally; Carlos Muniz, cartoonist, and Márcio Leite, Brazilcartoon’s director.

International Godofredo Guedes’ Centenary Contest’s Regulation
1 - Any person can participate the Contest, except Brazilcartoon’s workers and organization staff.
2 - Participants: The competition is open to all amateur cartoonists, professionals and students
3 - The unknown works shall be presented in vertical, format 30cm x 40 cm.
4 - Each contestant may participate with only 1 (one) work.
5 - Techinique is free.
6 - Only original works will be accepted. Digital works shall be signed by the artist’s hand. In the back of each work shall present the following information: Author’s full name, full address with zip-code, phone number, CIC, Identity, bank data and e-mail.
7- The works can be registrated personally or by mail. The final date for registration is August 01, 2009, counting the publishing date. Brazilcartoon’s site won’t be responsible by any damage occurred during the publishing.
OBS.: The under-age participants shall send, written down, the authorization of the parents of responsible.
8- Category: Caricature.
Caricature Concept – Graphic representation with funny anatomic distortions of known personalities.
9 – The participants shall fill the registration form and send the drawings, in the same envelope, to the following address:
Salão Internacional de Caricaturas, Centenário Godofredo Guedes, Rua São Francisco, 666, Centro Cep: 39400-048 Montes Claros / MG, BRAZIL
More info: (38) 3216-1109 info@brazilcartoon.com
Coordination: Walkiria Braga walkiriabraga@hotmail.com
10 – Registrations: until August 01, 2009
11 – The result will be published on August 15, 2009.
12 – Brazilcartoon will show on it’s site http://www.brazilcartoon.com/ a gallery with all the selected and awarded drawings.
13- Drawings sent to the competition won’t be returned.
14 – Prizes:
1st place: R$ 2.000 + trophy
2nd place: R$ 1.000 + trophy
3rd place: R$ 500 + trophy
New Talent’s Award: R$ 500 + trophy (This category is dedicated to amateur artists untill 16 years old).
15 – Authorial rights:
The organization staff reserve the right to veto the participation of those whose work’s subject won’t fit the contest’s proposal. The organization may use the works sent to divulgate the event and in Brazilcartoon. The registration of the International Godofredo Guedes’ centenary Contest implicates in total and unrestricted acceptance of the conditions above described.
Godofredo Guedes’s photos and Registration Form

ATTENTION!
Dear friends cartoonists,
We want to warn you that the theme of the Hall of Cartoons Godofredo Guedes is the very own Godofredo Guedes. So it is a Hall of Cartoons honoring our great artist Godofredo Guedes. It’s not going to be accepted themes that go outside this.
Thank you for your attention and good luck!
Márcio Leite.

Croatian cartoonist Ismet Voljevica passed away (1922-2008)

Ismet Voljevica passed away (1922-2008)

Croatian cartoonist Ismet - Ico Voljevica, "Grge" (father) died 29.10.2008 in Zagreb after a long illness.
Ismet - Ico Voljevica was born on the 18th July 1922 in Mostar, finished high school in Sarajevo and studied at the Architecture Faculty in Zagreb. As a student began to cooperate in the comics magazine Kerempuh. Then he worked for Grgu, without interruption, full 39 years while publishing with other dailies and magazines.

Ismet - Ico Voljevica is one of the most prominent cartoonists from the area of former Yugoslavia. Among others, he was the winner of the Grand Prix at the World Festival of Caricatures in Montreal (1974), and three awards from Croatian Journalists Association (1950, 1965 and 1967) plus the “Otokar Keršovani” (life’s work) award in 1980.

In 2004 Voljevica received the award of Mladen Basic Bibi for his contribution to the creation and development of the Croatian Cartoonist Association (HDK) which he was a member of since 1985.
Ismet Voljevica is buried on Tuesday, 4 November at the Zagreb cemetery Mirogoj.

Info in Croatian.

Note by Florian Doru Crihana: THE RETURN TO THE MASTERS

THE RETURN TO THE MASTERS
Do we have a cartoon crisis? No. It is a Cartoon Competition Crisis. The big names of the world cartoon retired from competition because they are dominated by amateurs and beginners. Even the juries are often stupid. Yomiuri Shimbun is the first major competition which failed. It failed because of a very bad administration; years and years they rejected the works of the Europeans. I was never admited in the exhibition. I might be a stupid cartoonist. Dear friends, this is not a world cartoon crisis - it is the failing of the Yomiuri Shimbun Admninistration.
Florian Doru Crihana
Monday, November 3, 2008
fdcrihana@yahoo.com

Results Himal Southasian Cartoon Competition 2008

SOUTHASIAN CARTOON COMPETITION WINNER ANNOUNCED

Himal received entries from 173 cartoonists from all over the world for the Southasian Cartoon Competition on the theme Dramatic Divide: The distance between the powerful and the powerless. After careful deliberation, the three-member jury of Sadanand Menon, Madhuker Upadhyay, Kunda Dixit has made its decision. Wishing to recognise the high quality of the works submitted, the editors of Himal have also announced an Editors' Pick list of cartoons for special recognition. Related Event: Southasian Cartoon Congress (14-15 November 2008)

WINNER: Husejin Hanusic (Hule) (Bosnia and Herzegovina)

RUNNER UP: Tie between

Oktay Bingöl (Turkey)

and

Jamal Rahmati (Iran).

Visit to the Dentist: International Cartoon Competition - Russia

INTERNATIONAL CARTOON COMPETITION

«VISIT TO THE DENTIST»

PURPOSE OF THE PROJECT is to present an opportunity to the medical professionals in the field of dentistry to glance at their profession from the caricaturist’s point of view. Aching tooth so to speak has always been a widely exploited theme in literature, just to mention A. Chehov’s short stories like “Chirurgia” (“Surgery”), “Loshadinaia familia” ( “Horse-like last name”), and R. Burns’ poem “Ode to the tooth ache”. Almost every Flemish artist had a painting dedicated to the “extraction of a tooth” theme. Wilhelm Bush-the founder of modern comics also used a dentistry theme in his work. Why does dentistry inspire so much creativity?

Dentistry develops and improves constantly. Recent innovations in dental technology and treatment methods have changed dentistry dramatically over the past 20 years. We are very interested in the caricaturist’s point of view, and are curious if recent advances in dental science are being reflected in the work of modern artists and caricaturists. Are the reasons for the smiles and laughter the same as hundreds of years ago?

We are confident that items and creative ideas presented during this exhibit will be very helpful to our patients as well, because smiles and laughter are the best anesthetics before a trip to the dentist.

METHOD: Creation of an exhibit to present creative potential of artists and caricaturists from Russian Federation and other countries.

FORM: Organization of international caricature competitions and exhibits during the work of professional dental conferences, recognition of the most talented work, publishing of album-catalogs.

RULES AND REGULATIONS

Jury of the competition will accept and consider work presented in caricature category.

Items for the competition must be submitted before March 12, 2009.

International caricature competition will take place at the following address: Sanatorium “Detskoselskii”, Centralinaia St. 11 lit A, Detskoselskii, Pushkin, St. Petersburg

Exhibition will take place at the exhibit pavilion “LenExpo” during the work of XII-th International Stomatological Conference and “Stomatology 2009” exhibition in St. Petersburg from May 12, 2009 till May 14, 2009.

Press conference and presentation of the album-catalog of the exhibit.

32 participants, recognized by the competition’s jury and by spectator’s choice will receive rewards and prizes.

First place – one prize - 30000 rubles, and main prize – MARBLE WISDOM TOOTH.

Second place – 2 prizes – 15000 rubles.

Third place – 3 prizes – 10000 rubles.

The other 26 selected participants will receive Diplomas.

7. FORM OF PRESENTATION: Personalized card 10 x 15 cm format (book version or album version), only 5 cards can be presented to the competition by a single participant.

Participants can present their personalized cards for the competition in electronic format (TIFF, JPG with 300 Pixels/ Inch resolution).

8. During preliminary stage of the competition 96 items (personalized cards) will be selected; each one of them will be included in the catalog of exhibition. Organization committee of the competition will inform every participant in advance about a necessity to present original items (personalized cards) for the competition in a required format.

9. Items presented for the competition will not be returned and can be used by the organization committee as it sees fit.

10. Participation in the competition means an agreement and acceptance of the above rules and regulations.

11. Good luck everybody!

MAILING ADDRESS: (to send items for the competition).

Palagnuk Victor Georgievich P.O. Box 42 Pushkin, St. Petersburg Russia 196061

Email: vgpalagnuk@mail.ru Phone: (812) 786-7728 Fax: (812) 452-5888

Co-chairmans of the organization committee:

Victor Bogorad.
Victor Palagnuk.

XVI INTERNATIONAL GRAPHIC HUMOR BIENNIAL CUBA 2009

XVI INTERNATIONAL BIENNIAL GRAPHIC HUMOR CUBA 2009 "Homo sapiens S.O.S"
From March 29 to April 2, 2009 Headquarters: San Antonio de los Baños Headquarters: Havana
The Union of Cuban Journalists, the Circle of Humorists and Cartoonists of the UPEC, and the Museum of Humor of San Antonio de los Baños, called the XVI International Biennial of Graphic Humor Cuba 2009, to be held from March 29 to April 2, with the coauspicio of the Directorate of Culture in Havana, and Latin American Federation of Journalists (Felap).
For the salvation of the species proposed the meeting in a world where we talk about emissions of carbon emissions and climate change, media manipulation, deforestation, desertification, inequality, war, unipolarity, xenophobia. Those who make you laugh and think being called a planet, where campea irrationality of the privileged to maintain their wealth and turn food into energy. The increasingly hungry stomachs of the poor of the land claim to the danger to jungles, forests, and the air we breathe. We call on the cartoonist for the defense of humanity.
The contest Humor Cartoon
Participating in the meeting is open to all professionals of humor figure in the world and can compete in the following categories:
. General humor (Humor general)
. Political satire (Sátira política)
. Comics (Historieta Humorística)
. Caricature portrait (Caricatura personal)
. Humorous photograph (Fotografía humorística).
Will be accepted processed digitally printed works in any category of the previously expressed.
Can be sent up to 3 works in each category.
The original works will be performed in any technical format with a maximum of 40 x 50 cm.
Should be included in each work the following information about the author:
Contact name (also stage name), Country, Category in which competition, Address, E-mail.
The works conveniently packaged will be received until January 31, 2009:
Unión de Periodistas de Cuba (UPEC) XVI Bienal Internacional de Humorismo Gráfico Calle 23 no.452, Vedado, Cuba. CP 10 400
Phones: 832 - 37 22 / 832 - 45 59 E-mail: vpce@upec.co.cu
Of the jurors:
A selection of works presented, made by a jury of admission specialist, will be shown at the XVI International Exhibition of Graphic Humor in San Antonio de los Baños. An international jury, comprising prestigious figures of graphic humor, awarded the prizes.
Of the prizes:
. Eduardo Abela prize, consisting of Diploma and 1000 CUC
. First, second and third place prizes in each category, which consists of a diploma.
. Other prizes handed by Cuban cultural institutions.
Meetings of cartoonists:
From March 29 to April 2 workshops will be held theoretical and artistic creation in San Antonio de los Baños and the City of Havana, so that participants can exchange experiences, to publicize his book (do not leave your portfolio in home) and reflect on the role of humor in the twenty-first century. Also attending the opening exhibition of graphic humor.

Results International Digital Media (by Email) Contest 2008 - Iran

The Results of the International Digital Media (by Email) Contest 2008 - Iran

Jury:
Carlos Amorim - Brazil

Dachuan Xia - China

Valeriu Kurtu - Germany

Mehdi Sarami - Iran (Engineer; official spokesman and deputy of the Second National Digital Media Contest)

Massoud Shojai Tabatabai - Iran (Director of Iranian House of Cartoon).

WINNERS
Digital Media:

Michael Kountouris - Greece / First Prize: 2000 € + Trophy + Honorable Mention

(See similarity)

Mehdi Mohammadi Rouzbehani - Iran / Second Prize: 1500 € + Trophy + Honorable Mention

Doddy Iswahyudi - Indonesia / Third Prize: 1000 € + Trophy + Honorable Mention

Jitet Kustana - Indonesia / Honorable Mention

Osman Suroglu - Turkey / Honorable Mention

Akbar Torabpour - Iran / Honorable Mention

Abolfazle Mohtarami - Iran / Honorable Mention

Digital Game:

Angel Boligan - Mexico / First Prize: 2000 € + Trophy + Honorable Mention
Ali Shahali - Iran / Second Prize: 1500 € + Trophy + Honorable Mention
Humor Juegos de - Colombia / Third Prize: 1000 € + Trophy + Honorable Mention
Pouya Eterazi - Iran / Honorable Mention
Ronaldo Cunha Dias - Brazil / Honorable Mention
Shahin Fathi Djalali - Iran / Honorable Mention.

All prize-winning cartoons

Romanian cartoonist Gheorghita Ghinea - URIASU passed away

Romanian cartoonist Gheorghita Ghinea - URIASU passed away (1956-2008)
The Romanian cartoonist Gheorghita Ghinea - URIASU (the giant) passed away at the age of 52 of heart attack on 28 October 2008. He lived and worked in Plopeni, a city near Ploiesti. He was an excellent press cartoonist and a painter. He published over 7,000 cartoons in several newspapers and magazines and he won many prizes in competitions. In 2008 he was awarded with the Prize for Cartoon of the Romanian Press Club, the biggest recognition of a press cartoonist in the country.
This report by Florian-Doru Crihana fdcrihana@yahoo.com

THE SIMILARITY IN WORLD CARTOONING by VLADIMIR KAZANEVSKY

THE SIMILARITY IN WORLD CARTOONING

by VLADIMIR KAZANEVSKY

"New" cartoons with the dominating of images without support of verbal have arisen in the thirtieth years of the twentieth century in the USA and in France. The founders of "new" cartoons were O. Soglou, S. Steinberg, J.M. Bosc, J.M. Folon.
Worrying signs of deep crisis in the "new" cartoon appeared in recent years. The main feature is the emergence of a large number of cartoons-clones or "secondary" cartoons. There were discussions, which of the "secondary" cartoons can be considered plagiarism, and which simply random coincidence. Plagiarism in the art can take a simple theft. Frequent cases matches are characteristic sign of the crisis in the "new" cartoon.
One indicator of the crisis in the "new" cartoons is discontinuing the Yomiuri International Cartoon Contest. Officially announced, that "contest has already made a significant contribution to the development of manga culture since it started in 1979. During its history of more than a quarter century, the number of cartoon entries received totalled 289,554." Two years before the closure of the contest in the newspaper Yomiuri Shimbun were published the article "Yomiuri International Cartoon Contest: New perspective may lead to fresh ideas" by Professor Masashi Ueda.
The article stated that more and more artists send to the competition cartoons such as those who previously had success. However, the author pointed out, one of the cartoons submitted for the competition, proved so unusual, grotesque, almost all members of the jury voted for awarding the author of Gold Prize of Free Event-Section. In the cartoon, monkeys hang from trees by their hands, while a man hangs from a tree by his brain. The author concluded that "this may reflect our belief that Yomiuri International Cartoon Contest is entering an era of change. I think the contest will receive more cartoons that include free and fresh ideas". But after two years this contest came to an end.
To speak convincingly about the crisis of "new" cartoons, will try to analyse the "essential" characteristics of cartoons. Cartoon can be seen in terms of visual images, which built its "semantic content". Interesting are also the philosophical, social and other messages that the audience receives by this cartoon. You can also consider methods that were used in the process of creating "comical effect" of the cartoons.
Let’s consider the imaging world of "new" cartoons. "Semantic content" of most cartoons based on the usual for spectators images, at the same time, "convenient" for the creation of "comic effects". Thus are the literary heroes (Don Quixote.), heroes of animation and cinema (Mickey Mouse., Charlie Chaplin.), paintings (Mona Lisa.), architectural structures (Tower of Pisa.) and many others. In addition, there are also stereotypical situations, such as man on desert island, man in the desert, a lover in the cupboard. And here it is necessary to notice that the number of "convenient" to create a cartoon images are not infinitely.
Each cartoon bears a certain message to the spectator. Quite often such messages are based on current information. For example, currently "fashionable" topics for cartoonists are the threat of terrorism in the world, global warming, etc.
The creative process of establishing a "semantic content" of cartoon is subordinated to the certain laws. The act of creation studied well enough (Koestler, A. 1964). For example, there is a two-stage model for the appreciation of jokes and cartoons (Suls, J. 1972). Very interesting is An Affordance Theory Analysis of Cartoon Humor by Dean H. Owen (1988). Basic concepts of conceptual integration theory (Fauconnier & Turner, 1994; 1998) include mental spaces, frames, or cultural models, and mappings. The research by Alan F. Blackwell and T.R.G. Green (1999) suggests that graphical metaphor should increase the usability of visual programming languages by providing an instructional aid when learning to use the language. General Theory of Verbal Humor by S. Attardo and V. Raskin (1991) means joke similarity. We can use the main ideas of this great theory for cartoon art with success, etc. Methods for creating cartoons are fairly universal.
During the development of art of a "new" cartoon have been created "primary" works. Combinations of the above elements of creative processes such as images, methods and messages lead to creation by beginner cartoonists "secondary" works. First of all this concerned creativity of artists from China, Iran, Indonesia and others, where "new" cartoon originated relatively recently.
Does this mean that the crisis in the art of cartooning will go deeper? And are there a ways out of crisis? Of course there is. As noted by Professor Masashi Ueda, "New perspective may lead to fresh ideas". Attempts to create new images in cartoons, the original messages, embodied in the cartoons, the search of unusual methods of creating of "comic effects" may allow other ways the development of "new" cartoons.
(Source: Yeni Akrep (New Scorpion) October 2008 Issue: 74)